Cineform 422 high vs prores 422. If you have to collaborate with other people, ProRes might be easier since support is built into Quicktime so no need to install more software. To top it all off there is even a ProRes 422 LT, which basically has roughly 70% of the data rate requirement of ProRes 422 and overall size 30% smaller! Hi, How do I export ProRes . はじめに Notionページの方が情報が多くまとまっているので、Qiita版よりそちらを見ることをおすすめします。 Notionページ：ProRes vs DNxHR vs GoPro CineForm vs Grass Valley 比較 ビットレート比較 動画A、B ProRes is a line of intermediate codecs, which means they are intended for use during video editing, and not for practical end-user viewing. mov Be 10 bit Have no loss I I have a sequence composed of some ProRes 422 files and some H. Thanks! Apr 18, 2007 · CineForm Software Showcase Cross platform digital intermediates for independent filmmakers. 264 within the sequence? Jul 6, 2025 · CineForm Medium in Resolve is about the same size as ProRes LT. Ideal for High-End Projects: ProRes 444 is best suited for high-end projects that require the highest possible image quality, such as feature films and commercials. ProRes 422 Proxy or LT would typically be a reduction in quality. Oct 10, 2018 · If a HIGH-QUALITY format/codec for working in Premiere, I would suggest Mezzanine/Intermediate codec: QUICKTIME (CINEFORM YUV 10-BIT) at QUALITY 4 (of course if you bit depth is higher consider CINEFORM 12-BIT) QUICKTIME (PRORES 422/HQ or 444) QUICKTIME (DNxHD for 720p/1080p or DNxHR for 4K+) I understand the best settings for YouTube according to YouTube. Dec 27, 2017 · 3. Both codecs offer a variety of codecs for different compressions, data rates, and file sizes. Cineform “HIGH” is similar size to Pre Res HQ (but much better quality) but I usually opt for Cineform Filmscan 1 unless it’s a greenscreen shot – then I’ll go Filmscan 2 or higher. I can see CineForm becoming a mainstay in many post production pipelines for the years to come. Jul 30, 2025 · A ProRes 10 bit 60p 422 one minute clip was 8 GB and the corresponding H. Nov 27, 2019 · Cineform is also a high-quality intraframe codec like ProRes and DNxHD/R. . Export settings in Resolve: 10bit 422 YUV Cineform highest from Lightworks is Filmscan 1 Cineform standard, more or less equivalent to Prores 422HQ. Is there an application that can perform my ideal process flow? We would like to show you a description here but the site won’t allow us. 97 fps的情况下，Apple ProRes 422 LT的目标数据速率大约是102 Mbps。 Mar 13, 2017 · I encourage others to embrace CineForm so that it will gain in popularity in relation to other intermediate mezzanine codecs like ProRes and DNxHD/HR. I am just converting to a PC from a Mac and I am looking for the best codec to replace the Apple Prores 422 which is not available on the PC platform through Adobe Premiere or Media Encoder. Another Windows alternative to DNx and ProRes is Cineform, which comes in both 10-bit and 16-bit variants. Could there be an alternative as well that doesn't have such massive file sizes as 422 HQ/HQX that is 10-bit so I can keep HDR? There seem to be some interesting alternatives like Cineform which I know nothing about. Jun 8, 2025 · Prores is great, but I can shoot 2. Cineform is an excellent alternative, but a bit slower on Macs. Jul 8, 2025 · A ProRes 10 bit 60p 422 one minute clip was 8 GB and the corresponding H. ProRes family even has a codec specifically named for proxy called Apple ProRes 422 Proxy which is intended to be used in offline workflows that require low data rates but full-resolution video. Has anyone done or seen any tests comparing Apple ProRes 422 with high-bitrate H. I am dismissing third party software claiming to be able Sep 30, 2013 · In all my tests over the years, Cineform is the best compressed codec I’ve seen – but I’m not getting your bitrate difference. Sep 11, 2021 · Some tests done with Hybrid_dev_2021. They are as follows: Before we get into how they’re different, let’s take a peek at how they’re the same. Also, some tips for integrating ProRes 422 vs 444 for efficient workflows. And, unless you are using really good lenses with really good lighting, you won’t see a difference between ProRes 422 and 422 HQ. Jul 12, 2020 · I’m planning on playing with ProRes 422 to test on some shoots but was wondering: how much of a difference is there really between the two? I understand that RAW gives you more ability with things like highlight recovery, changing color temps and ISO in post, etc. Aug 23, 2013 · BTW I’m tempted to use Cineform as it looks the best after transcoding but I’m worried how a “non ProRes Codec” will perform in FCPX with a feature docs worth of footage, having mutli cam and compound clips mixing cineform with pro res etc. A more fair comparison for all would be to record uncompressed raw and post convert the results to different codecs and bit rates in Resolve. Apr 26, 2025 · Its various profiles, including ProRes 422 and ProRes 4444, cater to different needs, balancing file size and visual fidelity. 264, but exporting as "Video and Audio" and choosing ProRes 422 produces infinitely better quality as you all probably know. 265 or Pro Res 422 and what should the Bitrate be set to? Is there much of a difference in quality? Ultimately, I want to upload it to YouTube. And ProRes 422 is not needed for proxies, So, as has been mentioned ProRes LT or more likely ProRes Proxy. 08GB Prores is very good at retaining noise/grain detail, so if you have underexposed or high ISO footage it's possible to see the differences. Apple ProRes 422 is a high-quality compressed codec offering nearly all the benefits of Apple ProRes 422 HQ, but at 66 percent of the data rate for even better multistream, real-time editing performance. While H. 265, where there are only complete or " i-frames " every 9-30 (or even more) frames of media. Exported files must: Not increase in size Export as . Jan 29, 2015 · 和ProRes Proxy相比，ProRes LT整体画面质量较高，因为ProRes LT包含画面中的每一个像素，它的比特率是ProRes Proxy的两倍。 而在分辨率为1920 x 1080帧率为29. 264 within the sequence? Jun 7, 2024 · Learn all about Apple ProRes 4444 VS 422, which is better, and why. So, will YT treat this ProRes file format differently? Is the best end result really Jul 4, 2025 · I wish DNxHR had a comparable result to ProRes 422 LT but it only seems to have an equivalent to 422 HQ. H. It does not answer your question, but it does help compare performace between software implementations. May 29, 2023 · Apple ProRes is a compressed video format, or codec, designed to produce high-quality, high-performance files for video production and post-production without taking up unnecessary space. 264 ? If I export the project as ProRes 422, is that an issue for the clips that are H. mp4). But with any decent machine these days, neither should be an issue. ProRes 444 is 12-bit. In that case, pick Apple ProRes 4444 with Alpha, or maybe go for Pro CineForm 12 bit with Alpha. Apple ProRes 4444 > Apple ProRes 422 (HQ) Apple ProRes 422 > Apple ProRes 422 (LT) > Apple ProRes 422 (Proxy) Advantages of Apple Prores format as an editing codec Maintains superb quality even after multiple encoding/decoding generations Provides real-time editing performance comparable to or better than that of any other HD codecs Nov 27, 2019 · Cineform is also a high-quality intraframe codec like ProRes and DNxHD/R. Trim/rename multiple files at a time in an application and transcode into Prores 422. How can I create Apple ProRes proxies and experience a fully native/smood editing? I tested bringing in the ProRes 422 proxy file by itself and creating a sequence based on those settings and the render bar did not displayed any colors (good). Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. The Cineform files will be slightly smaller. ProRes 422 是在 Final Cut Pro X 中所有优化媒体的默认格式，能很出色的平衡画质和剪辑效率，也是大多数DSLR使用者的首选。 ProRes HQ 是最受欢迎的ProRes类别，其在后期的工作中采用率很高，在10比特像素深度下支持全宽4：2：2视频源，同时通过好几代的解码和重新 This is something that I'm curious about - the colorist I'm about to work with likes to get a ProRes 4444XQ export from FCP to work from. You'd need ProRes only if a client asks for it. 8 GB (same scene on tripod). I keep thinking though, what's the point? It's all documentary footage, most of it is 8 bit 4:2:0, some clips are 10 bit 4:2:2 at most. I was unable to see any difference from the ProRes 422 original until I reached the 6th generation of ProRes LT when I began to see a few tiny glittering effects on edges, but no loss in detail, sharpness, or artifacts in shadows. 265 mp4). Ps. 45MB Or, as Eric suggested, I just use image sequences with far more control over compression. Sep 15, 2025 · To add some perspective, even a low end M1 Pro it will encode a UHD timeline to CineForm at more than 200 frames per second (with higher CPU usage compared to hardware accelerated ProRes of course). 264 for possible quality though much bigger in file size. The author states: "This is much bigger of an issue than I thought originally. Please help me! Apr 1, 2018 · Be interesting to see how Cineform compares since it is a more advanced wavelet codec than DCT. A ProRes 10 bit 60p 422 one minute clip was 8 GB and the corresponding H. Dec 21, 2024 · ProRes 422 HQ provides the highest quality among ProRes formats, but the increase in file size is substantial. Which one will elevate your project? ProRes and DNxHR are both high-quality video codecs designed for professional video editing workflows. 264 within the sequence? Jun 6, 2022 · ProRes 422 HQ offers all the same 4:4:4:4 but is used for 4:2:2 images sources, measing the codec is more user-friendly and doesn't require as much date rate than 4444X. 264 or H. I rendered them out at about 1 minute each (UHD 60p H. There is no 8-bit ProRes. Sep 16, 2025 · Jump to: Board index » General » DaVinci Resolve Subscribe topic Print view Client needs Apple ProRes 422 (HQ) or 4444 of 4444 (XQ) Get answers to your questions about color grading, editing and finishing with DaVinci Resolve. I recommend not using proxies as your original footage (h. After FFMPEG implemented their version of ProRes everyone hoped I did some file size tests and it seemed like standard ProRes 422 was the smallest of the 3. This means that the lower bitrate DNxHD/HR files might not have adequate bit depth for high quality deliveries. Between the prores and cineform, I'd say there wouldn't be much difference apart from the file size maybe? I don't have much experience with Prores as I'm on a PC. Remember, you'll switch to the main material for finishing. 2K resolution. May 4, 2018 · Thank you Walter! 71MB ProRes 4444: Obviously showing more compression winnets than CineForm, but about two thirds of the file size. ProRes 422: is a standard codec supported by Apple (. I'm just curious why the codec is mac exclusive, and not for windows. Jul 23, 2022 · For Preset, select Apple ProRes 422, normally called just ProRes, or Go Pro CineForm YUV 10 bit. If you’re exporting for say a live concert with LED screens, the difference will be noticeable, eg colour gradients will look much ‘blockier’ when lower quality. Would I be leaving much image quality on the table if I shot in H264 422 10bit 150mbps LongGOP and transcoded it to ProRes 422 HQ before editing, vs just shooting in ProRes 422 HQ? My gut says yes, but I’d love to be wrong on this In my specific use case, going with H264 422 10bit would make life easier during shooting. MA “A life ProRes 422 10bit和H. It looks like TD doesn’t accept ProRes . At some point, power consumption might also be a consideration. Careful in such a case: either method (Shutter Encoder or Voukoder) to export ProRes on a PC are based on ffmpeg, which is reverse engineered and not 'blessed' by Apple. The bitrates the z-cam uses for HEVC are about 1/3rd as high as they need to be for equivalence to ProRes 422, and are instead closer to ProRes LT in terms of quality. These days we capture source material on a variety of cameras- action cams, smart phones, drones and high-resolution cameras, and codecs makes it easy to work with any For shooting, 422 LT is more than enough if the video's going online or if you need longer recording times (like for an event). And in the Adobe World, you'll always output using the full quality material. There are many types of ProRes, most notably ProRes 422 and ProRes 4444. I have the commercial TD. If you’re really trying to keep file sizes down then go with LT, but honestly I would do 422 and just give it time to upload. 264) will not be easy to grade. 264 or (even better) H. [1] Much like the H. 265 is more efficient for streaming and online distribution, ProRes is preferred for editing and post-production due to its superior image quality and color accuracy. Sep 14, 2025 · A 7D won't ever get the same native video quality than a BMCC or URSA at 1080p, ProRes Proxy has too much artifacts and low readout, so your only options are ProRes LT and ProRes 422, which are still superior than H. On the ProRes side everything from ProRes Proxy to ProRes HQ is 10-bit. May 15, 2025 · Apple ProRes is one of the most widely used video formats in professional video production and post-production, and is a codec technology developed by Apple for high-quality, high-performance editing using Final Cut Pro X. Why do codecs like PR 422 and 422 LT exist as well as DNxHR HQ and SQ? Mar 4, 2013 · I wanted to do an informal test between Avid DNxHD, Apple ProRes HQ, and GoPro Cineform to see how they stacked up through 5 rounds of recompression. Nov 2, 2024 · Grasp the key differences between DNxHR and ProRes codecs, unraveling their mysteries to optimize your video production workflow. Oct 12, 2022 · What is a Mezzanine codec? How to choose between ProRes, DNxHR, and Cineform? Everything you need to know. Windows users have had access to ProRes for some years now. If you're ever exporting graphics from After Effects and they have a transparent background, you're going to need a codec with an alpha channel. Both codecs can be Here's a set or SSIM tests done on Prores vs h. However, if you have a weaker CPU or are doing CPU-intensive effects you might want a codec like Cineform. 265 files are highly compressed and optimized for delivery over the 'net. So different Prores levels (422 proxy, 422 LT, 422, 422 HQ, 4444) mean the quality/compression levels. T he Avid DNxHR and Apple Prores codec families are designed to meet the needs of modern, streamlined post-production workflows. Oct 12, 2022 · ProRes is resolution independent which means it can accommodate any size frame of your choosing. You won't want less than ProRes 422 HQ for final results anyway. The noise will be retained but the lower frequency detail can be lost to block compression. Nov 28, 2010 · Both are excellent, both will hold up to grading EASILY at a broadcast or indie film level. 2. Choosing the Right Format ProRes is a line of intermediate codecs, which means they are intended for use during video editing, and not for practical end-user viewing. As opposed to say the long-GOP (group of pictures) format H. mov). However, ProRes is known for its high quality and is widely used in professional video production workflows, especially in the film and television industry. As of this writing, there are six flavors of ProRes for you to choose from for editing your projects. MOV 422 as 10 bit without loss and no increase to file size? I use Premiere Pro and start with ProRes . Learn their advantages and best uses. 26x and MPEG standards, the ProRes family of codecs use compression algorithms based on the Apple ProRes 422 is a high-quality compressed codec offering nearly all the benefits of Apple ProRes 422 HQ, but at 66 percent of the data rate for even better multistream, real-time editing performance. 5 days ago · Jump to: Board index » General » DaVinci Resolve Subscribe topic Print view Equivalent to prores 422 hq Get answers to your questions about color grading, editing and finishing with DaVinci Resolve. 264? We use 422 as a delivery format to go to DCP for theatrical versions of trailers. 265/HEVC "proxy", optionally with timecode burned in. But to use them, it means you have to decompress them first. Jul 20, 2025 · A ProRes 10 bit 60p 422 one minute clip was 8 GB and the corresponding H. ) that the files take up more space. The trade-off for high quality footage will be massive file sizes. 08 GB*** EXR RGB half (DWAB Compression) Compression Level 45 (Default) - 1. A bit surprising when I’ve come from many years of Mac use and believing that ProRes 4444 was hardly compressed at all. 09. In this article, we have listed a comparison guide. ProRes is definitely a good choice as it has most stable implementation across OSes and apps. The file size is about 1/5th the raw file size. 265 Vs. I’d opt for the new GoPro HERO 3 Black Edition and convert to How does ProRes 422 compare to Cineform? For post production I wonder what the best professional solution is. I may have to given the way other transcode paths seem to step on the image. Thoughts? Experience with GoPro heavy shows? hmmmmmm…. 264 files. Take 100+ GoPro files in h264. 4 days ago · I wish DNxHR had a comparable result to ProRes 422 LT but it only seems to have an equivalent to 422 HQ. 264 with a high bitrate? Nov 4, 2019 · The reason is that h. 265 clip one minute clip was 2. The DNx family is great, but it offers a lot of options that can quickly get overwhelming for new users. If your drive speed is good, then ProRes is easier on your processor to decode. 264 Vs. 08GB EXR RGB float (DWAB Compression) Compression Level 45 (Default) - 1. Is there a real benefit to 4444 over 422? To me it just seems like it'd be including junk data at that point at the A ProRes 10 bit 60p 422 one minute clip was 8 GB and the corresponding H. Proxy is lowest quality of ProRes, and generally just used for proxies (hence the name). Aug 2, 2025 · Jump to: Board index » General » DaVinci Resolve Subscribe topic Print view Equivalent to prores 422 hq Get answers to your questions about color grading, editing and finishing with DaVinci Resolve. Jun 20, 2019 · Cineform, DNxHD/HR, and ProRes are all cross platform, visually lossless, professional quality "mezzanine" (some editors refer to them as "intermediate") codecs. It's lightyears better than working with with H264 and I assume it's slightly lighter than Prores. 264/H. mov) and Mac OSX (. However, Cineform Medium offers this same rough level of quality, and i consider it roughly equivlent to Prores 422 for this type of mirrorless H264/5 type footage but at close to HALF the storage space in many cases. Why do codecs like PR 422 and 422 LT exist as well as DNxHR HQ and SQ? Dec 2, 2024 · To solve this issue, I developed a Python tool that can batch convert Cineform files into a more universally supported format: ProRes 422 HQ. If you're on a PC, you can't export in ProRes, that's an Apple possession and like most kindergartners they're very possessive of their toys. From my understanding "ProRes 422" is a higher quality than H. Something like a 422HQ will have much higher quality than 422 proxy, but at the cost of being a much larger file size. Jul 6, 2025 · CineForm Medium in Resolve is about the same size as ProRes LT. Now if you used comparable specs to ProRes (10bit 422, Intra encoding); Then AVC-Intra (I-frame) using a good AVC encoder (such as x264) at the same bitrate, AVC is about 10-20% better in quality than ProRes HQ, but decodes slower than ProRes. Fun little article from Larry about comparisons of 422 ProRes. What should I do to successfully open these files. Yes, ProRes 422 is vastly better than any H. Examples of intermediate codecs are ProRes 422, DNxHR, DNxHD185 and cineform. What's apple's deal not making it capable to export in prores? Jan 17, 2022 · Good morning ! I am trying to help a person with his video editing which he made with Adobe Premiere Elements 2021 version 19. 3 days ago · DNxHR or Cineform are just as good as ProRes at comparable data rates. ProRes applications span from indie films to blockbuster productions, allowing filmmakers to maintain high quality throughout the editing process. Sep 11, 2013 · And if you are compressing to Cineform 444 or 422 should you just stay with ProRes at that point? Or is Cineform Raw one of the best ways to go if you're going to bother shooting Raw footage in the first place? Larger File Sizes: Due to its high quality, ProRes 444 files are significantly larger than ProRes 422 files. 264 vs HEVC at different bitrates. Eliminates the unknowns of in camera processing prior to encoding. mov files, so I’m wondering what other codecs I can use that would allow decent quality. Introduced by Apple in 2007, ProRes 422 was a new full-raster, 10-bit, 4:2:2 post-production format that Dec 19, 2023 · Codecs don't need to be hard. Nov 3, 2023 · Hello everyone, I’m a newbie of newbies. The quality difference between 422 and 422 HQ is minimal for most people, so the larger file sizes aren’t worth it unless you’re working on top-tier projects. Jul 4, 2010 · A DSLR file that has been run through Dark Energy and exported using a high-end codec like Cineform or DNxHD 444 will give you radically better results especially when it comes time to color time your show – not convinced? Sep 24, 2015 · shot with nikon d7200 and black magic pocket Aug 9, 2011 · AVI GoPro Cineform Medium - 362MB AVI GoPro Cineform High - 408MB ProRes 422 LT - 471MB (From RCX) ProRes 422 - 736MB (From RCX) AVI GoPro Cineform Best - 802MB ***Original R3D - 1. Some with just enough image information needed for editing, others for high-quality color grading and finishing, and lossless ones for mastering and archiving. As far as compositing, etc… Jan 15, 2021 · After the proxies are done, the "render bar" is still yellow regardless if the proxy toggle is on or off. MOV 422 10 bit files using Creative Cloud on a PC; files are shot on a BMPCC 6k. Well, bandwidth wise, the Proxy form of ProRes or dnxHR LB (low bandwidth) is going to be the best choice. Probably slightly better IMO, but both should be visually lossless. After observation, I am not able to open files in Prores 422 and files in Prores 444 with alpha. Sep 19, 2013 · DNG to ProRes questions (422 vs 422HQ vs 4444) Started by Thrash632, September 19, 2013, 08:33:18 AM Previous topic - Next topic 0 Members and 1 Guest are viewing this topic. Mar 3, 2025 · Apple ProRes 422 is a high-quality compressed codec offering nearly all the benefits of Apple ProRes 422 HQ, but at 66 percent of the data rate for even better multistream, real-time editing performance. Jun 30, 2020 · Now, we need more frank discussion of whether ProresRAW provides major visible benefits over 10bit intra compression codecs or even ProRes HQ 422 that is widely used. But ProRes is higher bandwidth to red from disk and that could be a bottleneck. Dec 4, 2014 · For those wanting more information on ProRes vs DNxHD vs Cineform, especially those transcoding and/or editing on a PC, here's a a helpful comparison. Transcode these files one by one in MPEG Streamclip to Prores 422 4. Jun 12, 2020 · Cineform ‘422 High’: which is compatible with Windows (. It's 10-bit 422. For editing, I definitely wouldn't opt for anything less than 422. They all share these characteristics: 5 days ago · Use one which works well in your whole workflow, is stable and well supported (eg. The downsides ultimately are: a. Meaning that all frames are complete data-sets for that frame. Sep 16, 2024 · Yes, do not use what is in your screenshot. Aug 12, 2025 · Otherwise you can upload ProRes, Cineform, high bitrate h264/5 etc and you will get visually the same quality as youtube adds a lot of compression on top of every uploaded source. We would like to show you a description here but the site won’t allow us. Try pulling a complex key on the AVC and you will quickly find the issues with 4:2:0 vs 4:2 Oct 2, 2022 · It is equivalent to Prores 444 HQX more or less. 11 to discuss here ORIGINAL 768x576 FFV1 8-bit 4:2:0 + Grain Factory = 902 MB transcoded with Hybrid to: FFV1 v3 4:2:0 8-bit = 260-270 FPS, 902 MB FFV1 V3 4: A ProRes 10 bit 60p 422 one minute clip was 8 GB and the corresponding H. This script walks through directories, identifies Cineform files, and converts them while maintaining the original size, aspect ratio, and audio. 264，在帧内压缩的方法上与ProRes也是有区别的。 对于常见机器的记录规格来说，这个差距不会有多大，你可以试一试，看看肉眼是否能分辨出来。 Dec 5, 2024 · However, as technology progressed, Cineform support has been dropped by major platforms like macOS and Windows, as well as popular editing tools like Final Cut Pro and Adobe Premiere. Cineform exports quickly, utilizes all of your cores, and is cross-platform. I'd go for 422 or 422 HQ if it's a scene with a green screen, fine details (like foliage) and lots of movement. Grass Valley might be higher quality, I really don't know. Assuming you're only playing back 1080 and not 4k, you won't have issues with either option. A full quality version in a common high quality codec like ProRes 422 HQ A full resolution and high quality (but still fairly compressed) version in H. 264 within the sequence? "All Apple ProRes 422 codecs support up to 10-bit image sources, though the best 10-bit quality is obtained with the higher-bit-rate family members—Apple ProRes 422 and Apple ProRes 422 HQ. avi or . Apple ProRes 422 is a high-resolution compression format from Apple. I edit in FinalCut Pro X, and always use ProRes for everything, which is what I need for large or cinema projections. However, how does YouTube treat videos that have been exported in a much higher quality than that? I know they want H. Pro Res 422 Hi All, When exporting footage from the Insta 360 Studio, is it best to choose H. 264 within the sequence? Jul 26, 2018 · If you're familiar with ProRes then Cineform quality 3 is roughly the same as ProRes 422, quality 4 is about ProRes 422 (HQ) and quality 5 is like ProRes 4444. 5K Raw and convert to Cineform raw right off the card in about same time as transfer of Raw for my PC work flow. It's also worth considering the colourspace of the recorded image. Upload into FCPX for editing Questions: 1. Do we need Cineform and Prores lossy compression in the 2020s? These codecs are for people, who have slow internet speed for video sharing sevices (under 2Gbit/s) and/or who have not enough big storage. Dec 27, 2024 · For high-end editing, CineForm and ProRes stand out. Jul 11, 2013 · ProRes is a I-frame format and CineForm is an I-P format or an I-frame format (you can set the parameter as you wish) and both formats are very high quality and reduce the decoding load on the CPU over H264 (the files from your DSLR…though the newest Canon and Panasonic DSLRs also have an I-frame H264 codec option). But I’m unsure how to import my ProRes movie files without compressing Oct 6, 2014 · Hello fellow professionals, Now that Adobe added Cineform option to our export possibilities, I can see how hugely beneficial this can be to PC users, however, I was wondering when working on MAC, having access to exporting Prores 4444 as a master format to start coloring, would there be any advantage of transitioning to use the Cineform instead ? I understand that the normal workflow would be Yes, ProRes 422 is vastly better than any H. Dec 29, 2024 · Similarly, ProRes codecs are varied to provide options for both intermediate codec and presentation codec. Then I tried ProRes LT and made repeated copies using Compressor. 265 422 10bit的话，之间的质量差距不会很大，但在细节上区别还是有的。 毕竟哪怕是ALL-I的H. Really. I have a sequence composed of some ProRes 422 files and some H. I use Cineform when using the new proxy feature in premiere. Uli Plank wrote: DNxHR and ProRes are comparable in quality at the same bitrate. Both the DNxHR and ProRes families offer a variety of codecs for different compressions, data rates and file sizes. Resolve doesn't use the original CineForm names for quality settings, CineForm Medium in Resolve is what is elsewhere known as CineForm High. 4444 also stores more color information and enables a more robust color grading process. 0. Maximum 4K Aug 27, 2020 · Video Codecs: H264 vs ProRes | What Should You Use? Olufemii 534K subscribers Subscribed Mar 22, 2017 · Apple ProRes 422 or 422 HQ? Hi Good day I would like to know what will be the best pro res setting for my final exported project - Apple ProRes 422 or 422 HQ? It's a short film production 40-45 Minutes / Tv-pilot episode. Most of it was shot with the Sony PXW-FS7 camera and Cam B was shot on Sony PXW-FS5. Some codecs are designed for just enough image information needed for editing, others for high-quality color grading and finishing, and lossless ones for mastering and archiving. To make these files usable again, I created a tool to batch convert Cineform files to the ProRes codec. This mega-post explains everything you need to know in order to choose the right codec for every project. Maximum 5. Where a GPU might only need 10W to decode 4k Cineform, 4k ProRes might draw 25-50W on the CPU (numbers only used for illustration purposes). It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. for use in post-production that supports video resolution up to 8K. The bitrate is around 150mbp Feb 24, 2018 · This is my second question relating to this topic. Feb 3, 2020 · 4 IMPORTANT: ISSUE SOLVED (STILL A COUPLE OF QUESTIONS, THOUGH), I POSTED SOME INFO BELOW THE ORIGINAL POST AS AN UPDATE IF SOMEONE FINDS THIS USEFUL: Quick question: what are the advantages of using the most common non long-GOP codecs for editing (DNxHD/DNxHR and Prores) vs intra-frame H. That takes CPU grunt in Premiere Pro (because they don't have NVDEC added). 422 is the best intermediate codec for filming and editing due to its manageable file sizes, but 4444 is sometimes necessary for visual effects work where an alpha channel is needed. Upload into FCPX for editing Ideal Process: 1. It's high quality, efficient compression, and overall versatile. 264: The most widely understood video compression standard of the three listed here for high-definition digital videos (. 264. if Jan 11, 2015 · The only difference between ProRes 422 and ProRes 422 HQ is the data rate. Sep 30, 2024 · On a camera like the G9, this would be the 10-bit 422 option in long GOP for internal recording or, alternatively, the G9 can put out 10-bit 422 over HDMI to an Atomos Ninja 5, where it can be recorded in 10-bit 422, all intra, in ProRes LT, ProRes 422, or ProRes HQ. that offers virtually all the features of Apple ProRes 422 HQ but with a data rate of 66% for even greater multistream, real-time editing performance. This short reel will be playing on TV and was hoping to export the best quality. On a PC, the Cineform 10-bit YUV or DNXHD/R options are both quite high in quality. if you work in Adobe on PC choose Cineform). Finally, CineForm is extremely high quality but comes with the burden of a high data rate. Feb 13, 2017 · Want to compare codecs? Check our this comprehensive list of intermediate video codecs, from Cineform and DNxHD to ProRes and Uncompressed. " In Windows really DNxHR HQX is the way to go because it is ubiquitous and well known. ) the fact that you have to spend time transcoding and b. pcnkm tcbxdp bcvyewrt xylzzn oea jwfprzm nxi xyvrtc arrlywm gyd